SonicScoop
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How to Use Reference Mixes (…The Right Way) — SonicScoop
There’s a right and wrong way to use reference mixes. Whether you’re mastering, mixing, recording, producing or even songwriting, it’s…
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Taking On Studio Static — SonicScoop
How does the Boss NS-1X Noise Suppressor Pedal perform in the recording studio, away from the stage and rehearsal space?…
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What Makes this Mix Great? The Weeknd: “Blinding Lights” — SonicScoop
This week, I analyze the mix, production and arrangement for The Weeknd’s “Blinding Lights“. Mixed by the legendary Serban Ghenea,…
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A Guide to Making and Mixing 808 Sounds — SonicScoop
What is an 808, and how should you treat them in the mix? Today, we’re diving deep into the heart…
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Will A.I. Musicians and Mixers Steal Your Job? (…Or save it?) — SonicScoop
Today, I am joined by Gregg Lehrman, CEO of the music-making software company Output, to talk about artificial intelligence in…
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Steal the Soul of Analog Audio Gear (w ControlHub from STL Tones) — SonicScoop
Wouldn’t it be cool to be able to be able to borrow the complete analog signal chains of your favorite…
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I’m a Mastering Engineer. Ask Me Anything Audio. — SonicScoop
Today is a rare opportunity for anyone to ask me a question about anything related to audio and get it…
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Oeksound Bloom radically reshapes sounds (Without ruining them) — SonicScoop
Bloom from oeksound represents a totally new class of plugins. Piggybacking on the technology behind the influential Soothe 2 and Spiff…
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Can You Have a Talent for Mixing? — SonicScoop
It’s common to talk about “talent” when it comes to music. But how much difference does talent really make? Can…
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“The Less I Know The Better” — SonicScoop
Today I analyze the mix and production for Tame Impala’s hit track, “The Less I Know The Better”. Kevin Parker…
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